ISSUE 12
HAYDEN BERRY
CHANCI
LEYLA ÇOLPAN
CHRIS FASH
WREN HANKS
IKAIKAONALANI JAMES
MEI KAZAMA
NESS LINN
JUN MARUYAMA
ASTER OLSEN
JACKIE VONDROSS

-
The Pink Phone Call
I.
Francis answered the Pink Phone
in the hallway of cobalt the night offered. Hold me said FrancisI want to be a forest I want to be a hydrangea’s bruise.
He hung up and thought about Leo swallowing him, a marble whirling
in the acid of his lover’s belly. He receivedcalls from the future though it hurt to trip over them
twirling his finger in the wild rose cords pearling with second-hand
sweat. He could roam the palace trying to figure out what to say
the next time the Pink Phone rang.All the elements of phone tag between him there and me
on the ragged illusioned earth. Our saliva hopscotch
and my human wounds massaging his across space-time.➵
When you die and become a space prince all your wounds stay with you
like kisses. You become a cake-pink receiver of other wounds too–you churn them in your mind for centuries. When you die and become
a saint, you become a saint for everyone like you, Francis, and like you–We are bayonets and fungus. We are carousel horses and colony organisms
building protein chains to heaven. We are queers rowing the hell upstream.
(Leo leaves hologram stickers
on the pillows of young queens The future is trans
The future has trees )Like you did once, I take my paddles dipped in diatoms.
I row the hell upstream.
II.
The Pink Phone is our extracellular vesicle
communicating across phylum and space-time.Here I am in 2021 drinking myself to tears
calling out as if my safe valvewill appear.
I am writing the same poem over
and in it the shelter animals I work with perish:Possums died. Kittens died, umbilical cords still dangling.
Viral rabbits. Late-night seizures. Parasites shriveled in their hosts.In the shelter, I have a phone plan
for the death threats and despair.I teach my staff to slam the phone
into the receiver.This brings us pleasure, like orange scones
and denying rescue groups purebred kittens.I come home to a frayed couch and I want
to talk to someone I can only seein my mind-palace.
➵
Francis answers the Pink Phone
in the hallway flooded with kestrel-light. Salted my blue My voice a violet ledge
I breathe against his cheek Pushing Past
I breathe against his cheek The sound drowned outI felt the grief, but numbness crept into every cavity. I pulverize the grief. There, in the vets’ operating room, I watched the surgeon pull out a dog’s uterus, a “V” for victory over cell death; she made small cuts with a razor from a sanitized bag.
A veil swims out of his mouth into the hall light dissolving.
The backs of our throats clear. Deep in us, pink doves churn.The first time I kissed another man, we trailed into a restaurant together, salvina and choked river, and when he asked if he could kiss me, hair falling in our faces, and when he asked if he could kiss me, on the street in the cold with our gloveless hands wrapped around each other’s waists, all the way to a movie where he put his hands under my vest and whispered in my ear, I want you. I want a dove who will crush and bless me. Absolve me of what I cannot understand.
Francis whispers his resolve to me now
spilling across Pink Phone wires thorny with the bacterial wealth of angels pooled like photons in the maws of starswe can’t yet see.
The Powder Room
who should step down from a crystal coach – James Merrill, “Charles on Fire”
The powder room provides opportunities
for genuflection to blot & powder
with kinetic intensity & then reflect
on the fractal growth of hothouse ferns
Men throw their towels wherever
a greased white cat licks a plate
Someone passes the setting spray
so his eyes won’t racoon
Sometimes a moment looms more tenaciously
than Francis means it to
And Leo will pull the razzled stop tassel
resetting the party to bubbles & mistThe powder room provides deep pressure
a walk-in bear skin hugs Francis until his dermis sighs
Leo courts him with swaths of lilac
blown through a bluetooth speaker
Lilacs stretch to supra An idle kiss in a walk-in fridge
this bear was once this hug
(our Francis crushed into old keratin, himself and)
the bear now isThe powder room genuflects itself inside
A crumbling palace of live oak
watchers and whale fall enthusiasts
Francis lets genuine termites wheel
through front doors and fairy rings
He forgets to close portals after sundown
He cruises the full-stop hydrangeas
curtain calling french & panicled oakleaf & climbing
the tea of heaven lacecap & blueThe powder room cruises Francis & Leo our dreamboats
parting the lacecap petaled curtain
Francis sees sun in a gold-tendrilled cup he asks the grass to protect Leo
the gentle room to keep them
You were born pain free Leo says milky prisms move across his face
when he admits I will always find you
His mustache a magnetic sensor pulling them together
The hydrangea gates flex outside of time tremble themselves back into place
Francis calls out invasive jewels like themselves
monk parakeets staking out neighborhood suet trees
the monk parakeets know how to dip between realms
our princes won’t make it past the powder room window a fog
I’m so proud to be with you
I’m so proud to be with you
Wren Hanks is the author of Lily-livered (Driftwood Press), winner of the Adrift Chapbook Contest, and The Rise of Genderqueer (Brain Mill Press). He is an alum of the Tin House Workshop and the Lambda Writer’s Retreat for Emerging LGBTQ Voices, and he was recently awarded a 2026 Vermont Studio Center residency. HIs recent writing appears or is forthcoming in Diode, Foglifter, No Tokens, RHINO, and elsewhere. He is the managing editor for smoke and mold and lives in Brooklyn, where he works in animal advocacy, sings with Grace Chorale of Brooklyn, and cares for too many fish tanks. You can find more of his writing on Instagram (@wrenhanks) or wrenhanks.com.
