ISSUE 11: DISABILITY JUSTICE
KAY ULANDAY BARRETT
ELIOT CARDINAUX
RAPHAEL RAE
KAMILA RINA
MIRIAM SAPERSTEIN
LUCAS SIMONE
M.K. THEKKUMKATTIL
HELEN ZHONG

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The Secret Life of Trees
My body split down the centre when I was little.
A little tree—a willow, an oak, a magnolia?—I would have
told you if I’d been allowed to say how I was neither boy
nor girl, though wanting, desperately, to be successful
at one of them, and never having skill enough to conceal
the roots, even with long skirts, nor the bark creeping out
from under sleeves, the leaves and branchlets crowning
my head. My mother complained—as mothers do when
casting offspring as reflections—that I didn’t brush
enough, wasn’t ladylike when getting my school picture
taken, I just stared into the open slit of my wrap skirt, knees
parted wide, mossy head down. I didn’t smile enough. Or
at all. I didn’t cover up well; she could see the craggy bark.
I knew I disappointed my mother, with the lack of girl (but
abundance of tree) in me, with my messy presentation
when living through a messy present. And what could she
blame this on: my autism? Or, was I just a bad child?
I know she did not blame herself, not when she stood
and watched me being beaten, bleating plaintively but not
intervening, not when she delayed taking me to the doctor
for a febrile infection from recurrent rapes: I was seen
one month in, with several organs on the broil; there was
concern about permanent damage. Her share of the worry
thinned over time into scolding me about covering up.
While she was firmly preoccupied with not being at fault,
my body split, a thunder-struck willow, and began its fight
for survival. Tree struggles are slow, steady, take years
to show results. My willow hovered at the edge of dying
for a dozen growth rings: water-logged, its roots cooked
by the bolt, its too-human mind misplacing the will to live.
I spent a decade patching the sites of injury, nourishing
the adjacent branches, growing back root-veins
and purpose. Another decade honing water balance:moving from flooding with tears in the sliding-scale therapist’s
small office week after week, wondering if the damage
ever mends, to hydrating virescent shoots of new growth.
Then building resilience: tightly packed cells, more robust
xylem and phloem, healthy, affordable nutrition,
gentle companions. Finally I was ready to discard
the camouflaging skirts, to let go of the years
I had spent trying to hone girl but ending up with sapling,
let in an oaky swagger, allow myself the low arboreal voice—
my natural timbre—even to at last own my twiggy
spiraling tresses. This finding of self and place pulses
like slowly shaking off a weight of snow so heavy it might
have broken my trunk, like having my roots reach into
new loamy soil, like sharing food and warnings with
a cohort, a coppice of friendtrees. Being a tree means
never needing to go home. It just takes us decades, centuries,
to uncover ourselves, to grow up and out, to spread
our crowns, to hold our good bodies up to the sun.
Kamila Rina is an autistic and multi-disabled immigrant Ashkenazi Jewish non-binary poet, educator, and survivor of long-term trauma. They have been published internationally, including in Room Magazine, Contemporary Verse 2, Deaf Poets Society, #EnbyLife, and Queer Out Here, and have produced a chapbook, Multitasking with Feelings. Born and raised in Eastern Europe, and speaking 7 languages with various degrees of fluency, Kamila now lives in Tkaronto/Toronto, located on the traditional lands of several Anishnaabe and Haudenosaunee nations, and most recently the Mississaugas of the Credit. They are passionate about trees, books, leftist Yiddish culture, Palestinian liberation in our lifetime, and radical accessibility. KamilaRina.com
