Brian Dang

ISSUE 6

AQDAS AFTAB
BRIAN DANG
CATHERINE KIM
FRAN O’FARRELL
MYKKI RIOS
FOREST SMOTRICH-BARR
  • this time (a chorus of femmes)

    There’s a window we look through and this time
    it has been shattered by a bullet

    meant for us. We look through and this time
    we see the trees as they shake

    reminding us we are shaking and bleeding out
    but we do it together in tempo to make music

    with our bodies. It is human to shake. This time
    we hold on so we don’t slip through

    the cracks of each other’s fingers like time
    and time again we ask if we can stop running

    out of time. We are tired of waiting for time
    to make us martyrs. We stopped time

    with our own bare hands to wrestle nostalgia
    and dreams into the world because our time

    is now. We are dreaming and nostalgic for now.
    Now is the time we hurtle towards

    a choice that will last the rest of our time
    on Earth. We choose to be together

    for time immemorial plus one day
    where we take the time to put away

    the kettle (bless its horn) and fold the linens
    one last time and say goodbye

    to the coal in the kitchen one last time and goodbye
    to the skin peeling off from ragged hands

    on ragged rags or maybe we just actually burn
    it all down to save time and when we serve

    we serve ourselves since our time is finally
    ours to do what we will. Spending

    time is a false phrase. It fools us
    into thinking we can’t hold

    time together as if it doesn’t flower
    and fruit at the same time

    when we hold each other. No more waiting
    for enough time to kiss each other

    for just a moment. We don’t need to stoop
    to stealing time from another’s clock

    whose face cannot dare conceive of a time
    where we have everything we want to hold

    forever to look at the stars as we lay our heads
    onto each other forever and we feel

    ourselves into something like forever and some
    say forever is a long time but it is only

    a moment in comparison to what it means
    when we keep each other

    close to traverse the narrow sliver of time
    given to us. When you are closer to nothing

    you feel everything. Your entire lifetime flashes
    before your very eyes and you feel

    everything that passed through your body during
    your time. There is no more time to be

    standing idly by waiting for a more peaceful death
    threat written in the stars by some reaper

    who clocks us closer to death than a life worth
    living. Keep that time away from us. Fracture

    time. Mangle time. And above all else, eat it
    and feel full. Feel ready. Feel

    eased. Breathe. We breathe at the speed of our bodies
    and not a second faster. Spring comes

    when it wants to come and we come
    when we want to come. We will be there

    to see Spring because this time,
    in the end, we live.

    We live
    and live
    and live
    and live
    and live
    and live!

Brian Dang (they/them) is a Vietnamese/Chinese playwright, poet, and teaching artist. They are a resident playwright at Parley and were a 2020-21 Hugo House Fellow. For Brian, playwriting is an act of envisioning an eventual communing, an opportunity to freeze time as we know it, and a reaching for joy. Their writing has been supported by 4Culture, Seattle Office of Arts and Culture, and workshopped with Seattle Opera, Pork Filled Productions, Mirror Stage, Karen’s Secret Army, Theatre Battery, and the Sewanee Writers’ Conference. They teach with Writers in the Schools & Arts Corps. Find more of their work at brianeatswords.com.