ISSUE 13
ANEMONE
PABLO V. CAZARES
ADDA FARCUS
FARIHA
CRYSTAL ODELLE
CODY SOOY
T.R. STEELE
JACKIE VONDROSS

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Psychoterratic Sculpture IV & XVIII
Adda Farcus
Psychoterratic Sculpture IV
Cormac McCarthy’s hands1, plastic2
20231 this is so big
we can only see
the edges
toothpaste
with 10% more
and plutonium’s
24,100 year
half-life
their effects:
songs and songs
about the last glacier
hands that
know, pointalways changing always
edging clogging
up the works
“less a thing than
the trace of a movement”a saw
blood2 numb as warm
as the room it’s in
molded anything
“stuff of alchemy”
island-gyre
boiling
ocean patchhyperobject’s
effect (quick-
change artistry)
and cause
“half-god,
half-robot”fingers tap
a mold-injected
score
indifferent
to staves
everything
deadenedAdda Farcus
Psychoterratic Sculpture XVIII
Tyvek1, invasive tree2, blood3
20251 you’re keen to plastic sheets
houselayered to keep the climate out
keep your bear mace
keychain keep a lock-pick set
2 lobed paper mulberry
with pale leaf undersides
and royal ability to cover
colonizable
disturbed areas with
males shedding
injurious pollen
waterlogged
windblown &
70 feet tall
branches cross
sketched
logos for death
metal bands
3 more corpse-
paint more
blood baths
Adda Farcus is an activist, artist, curator, feminist, organizer, poet, quasi-linguist, teacher, and writer. They make work about the emotional ramifications of climate change and injustice. Farcus received their MFA in visual art from the University of Illinois at Chicago, they participate in the Climate Psychological Alliance, and organize with their local teachers union. Farcus is the co-director of Lease Agreement, an alternative and nomadic curatorial project, and they are the Assistant Professor of Instruction at the University of South Florida.
